Carrie Gates’ video mixing works use sound-reactive 3D processing and unusual rhythmic juxtapositions to create throbbing, psychedelic, responsive compositions that add a new dimension of interaction and intrigue to any environment. Abstract digital imagery is mixed live with hand-shot, performance-art-influenced footage, to create a hypnotizing, bent reality that is infused with concepts of visual music, set in a glitched-out 3.0 fantasy realm. She has played an active role in experimental electronic music communities and independent artist-run organizations since the mid-1990s.
Carrie Gates has been a featured artist on VICE’s ‘Noisey’ site, VICE’s ‘The Creator’s Project’, Print All Over Me, and VirtualGallery.com. Gates’ live performances and digital art screenings include: GIFs to Have Sex By (TRANSFER, New York, 2015), X+1 (MAC Musée d'art contemporain de Montréal, Montréal, 2015), DTV 2015 Winter/Spring Season (The Drake Hotel, Toronto, 2015), REFRACTION (TRANSFER, New York, 2014), 28 SECONDES (GALLERY T, Lyon, 2014), Unbecoming Glitch (Vidéographe, Montréal, 2014), ZERø 0ne (POWERPLNT, New York, 2014), BYOB Prague (Signal Festival, Prague, 2014), MEME Festival (Winnipeg, 2013, 2015), Hacktist (Nomade Art Space, Hangzhou, 2013), The Wrong - New Digital Art Biennale - Young Internet Based Artists pavilion (Sao Paulo, 2013), Saskatoon Fashion and Design Week Runway Show (2013-2015), SPAMM / CUPCAKE net art exhibition (Super Arte Moderne Musée, Nice, 2013), Glitch Symposium with Jon Cates (Neutral Ground, Regina, 2013), Blue Balls Festival (Lucerne, 2012), Sight & Sound Festival (Eastern Bloc, Montréal, 2012), Montréal Fetish Weekend (2012), INDEX Festival (New York, 2011), Vancouver New Music Festival ( 2011), RE:FLUX Festival (Moncton, Canada 2011), Kassel Dokfest (2010), Mapping Festival (Le Zoo, Geneve, 2010), Queer City Cinema (Regina, 2010), Club LUX (Berlin, 2010), and send + receive (Video Pool, Winnipeg, 2006, 2007). She is a resident of the Motion Notion Festival (Golden, Canada, 2005-2011, 2013-2015) and has headlined the main stage for nine years. Gates’ video work is screening internationally in 2015-2016, as part of Lorna Mills’ collaborative project “Ways of Something”, in which contemporary digital artists remix the classic art history documentary “Ways of Seeing” by John Berger. Gates also creates websites and print materials for small businesses, academic organizations, Aboriginal communities, artists, and music labels. Carrie Gates has a degree in Art History from the University of Saskatchewan.